When reviewed in Art Spectrum Magazine, more detail was given:  “Masonite plates are inked and then manipulated with drawing, painting, rubbing and adding found objects, fabric and textured bits.  Then they are run through a press with paper, perhaps only once, but more often several times, as images build up.  Each new layer both obscures and reveals pieces of the one that came before it, stringing together moments of experience, loss and memory.  Working intently for short bursts of time, Brust allows the works to unfold as they will, intentionally giving way to random color and imagery; the conscious and the unconscious hand of the artist.”